The brain is plastic. Here's a "manual" (sort of). With host/"guinea pig" Todd Sampson (and his brain).

... To be seen after the (first) jump:

Love the concept/execution/art. Alex Griendling's "entry" to Iam8bit's (L.A.) exhibit, "Sequel", featuring movie sequels that never were.

Two design favorites (so, a two-for-one here): the striking design of the Forth Bridge ("the dinosaurs are coming/going!") and the minimalistic (in the style of the classic railway art of the 30's and 40's) expressive/impressive graphic prints of Peter McDermott.

András Lénárt developed the technique and performs, this:

A nifty compilation of books that glimpsed the future before it happened, relating/connecting/ascribing each of the literary predictions with the actual/corresponding discovery/invention/emergence.

Complete list on the other side of the jump.

The "missing bits" make the image(s) (Einstein, for example).

By design studio NAU, for Austrian bank Raiffeisen, in Zurich.

Albert Einstein and his imaginary twin brother, Bertrand, helm 2, homonymous, rocket ships, to demonstrate how light and time affect each other.

How to generate those intricate and detailed patterns.

A poster by Julian Hansen. Big (enough) version on the other side of the first jump.

This organic-looking tent (design/concept by Abeer Seikaly) provides all-weather shelter, while offering such amenities as energy/electricity (solar-powered, battery stored), "running" water (collection and distribution of water, courtesy of the tent's unique design), storage (again, as a by-product of the design), ventilation (again, the design…) and the benefit of natural light (through the controllable tent’s openings).

Its foldable nature/design and use of lightweight fabric implies ease of transport and deployment.

Oh! And it’s also easy on the eye!

The first jump has all the details, photos and schematics.