The last days of Seinfeld, photographed/documented for posterity, from the inside.
By David Hume Kennerly.
On why Hello Kitty doesn't have a mouth, Kitty's designer/illustrator, Yuko Yamaguchi, replied:
It's so that people who look at her can project their own feelings onto her face, because she has an expressionless face....
The absence as a placeholder for imagination. As a way of letting the beholder fill in the gaps. To imagine/project the mood. To mirror the self.
Type meets the Periodic Table.
To list:
100 of the most popular, influential and notorious typefaces today.
By Cam Wilde.
An interesting visualization technique that exposes regularities/patterns and repetition in musical compositions.
From the source:
The diagrams in The Shape of Song display musical form as a sequence of translucent arches. Each arch connects two repeated, identical passages of a composition. By using repeated passages as signposts, the diagram illustrates the deep structure of the composition.
Below, Madonna, "Like A Prayer":
Contrasting with, Chopin, "Mazurka in F# Minor":
In depth, with Neil deGrasse Tyson.
Mind opening. Genious stuff.
Live Ink technology proposes a (research-backed) novel/alternate way to present/display text. One that claims a better reading experience, in all its vectors (ease/speed, proficiency/efficiency, comprehension/retention, etc).
This technique takes advantage of how the brain and eyes work to provide a more "natural" way to structure (the reading) text.
In order to achieve this/these effect/effects, text in the traditonal block format is converted/transformed, by proprietary/patented algorithms, into cascading-style formatted text.
Example/sample:
Negative and positive space become one and same, in the creative/original/stylized/minimalistic movie (and TV) posters of artist/illustrator Ale Giorgini.
More quality polygonal illustrations. This time from Hope Little's portfolio.
... "Sallie Gardner at a Gallop".
you can't be better without being different
